The Fauvette Loureiro Memorial Scholarship Exhibition. 26 September – 2 November, 2024 Mid-Career/Established Finalists: Elizabeth Day, Andrew Hazewinkel, Anna John, Leigh Rigozzi, Tony Schwensen, MAGNETIC TOPOGRAPHIES (Therese Keogh, Clare Britton and Kenzee Patterson) .Emerging Finalists: Ciaran Begley, Szymon Dorabialski, Gillian Kayrooz, Charles Levi. Photo: Jessica Maurer
BRIGHTNESS. InDance, Sydney Dance Company, 2024. Choreographer Kristina Chan. Developed at Critical Path, Mondrook Community Hall, Io Myers Studio at the Esme Timbery Creative Practice Lab (CPL) in the School of the Arts & Media at UNSW and Readymade Works. Funded by Australia Council for the Arts and Create NSW.
Topographies Exhibition at Sydney College of the Arts, 2024. Ben Denham, Vicky Browne (curator), Rachel Peachey & Paul Mosig, Magnetic Topographies & Friends, (Therese Keogh, Kenzee Patterson and Clare Britton in collaboration with Biljana Novakovic, Aunty Rhonda Dixon-Grovenor, Astrida Neimanis, and Betchouف Faid Mazin & Dana Marjan) Brendan Van Hek and Amanda Williams.
Exhibition and public walk: Living Water: 75 years of water research at UNSW
SITE-SPECIFIC VISUAL ART AND WALKING: OVERNIGHT SCREENINGS The film Aunty Rhonda's Walk by Aunty Rhonda Dixon-Grovenor looped overnight with 20 Kilometres of Water by Clare Britton. From dusk on the 30th March (7pm ish) - dawn 31st March Tempe River Canoe Club, part of the Wurridjal Festival , 2024
SCULPTURE : A Week on the River
CO-DIRECTOR, SOUND: Polar Force. Speak Percussion and Philip Samartzis. Now or Never Festival, Melbourne 2023, Sydney Festival 2023, Noorderzon Festival, Groningen, Netherlands, 2019. Ruhrtriennale, Essen, Germany, 2019. CyberArts exhibition, The Prix Ars Electronica, Linz, Austria, 2019. Transart Festival, Bolzano, Italy, 2019. PICA, Perth, 2019. Victorian Arts Centre, Melbourne, 2018
SET DESIGN: PERFORMANCE: K'AINGA CommonWealth - K’lub Measina – Night Dance of the Deities Kilia Pahulu, Salvador Brown, Saia Tu'itahi and Sela Vai; led by Latai Taumoepeau and Rosanna Raymond. Liveworks Festival, Performance Space, Carriageworks, 2023.
SITE-SPECIFIC VISUAL ART AND WALKING: A River Ends as the Ocean with Aunty Rhonda Dixon-Grovenor and Astrida Neimanis part of the 13th Shanghai Biennale Bodies of Water. Phrase 3: an exhibition, Power Station of Art, Shanghai.
WRITING AND WALKING: Essay "Walking Wolli Creek", Alexandra Crosby and Clare Britton, Sydney Review of Books, October 2022
SITE-SPECIFIC VISUAL ART, RESEARCH AND DEVELOPMENT: Magnetic Topographies residency at Bundanon, 2023
SITE-SPECIFIC VISUAL ART. RESEARCH AND DEVELOPMENT: Emily Parsons-Lord- We Drive So Fast it Feels Like Falling. Arts House Culture Lab Residency, 2022
SITE-SPECIFIC VISUAL ART, RESEARCH AND DEVLEOPMENT: Sydney Environment Institute Seminar. Soft Edges: A studio sharing of work-in-progress sculptures, writing and images. Thursday, 8th June 2023
PUBLICATIONS
The Clothing Store Artist Studio Program. The 2023 Resident Artists: Eddie Abd, Shivanjani Lal, Clare Britton, Jason Phu, Daley Rangi, Jazz Money, Helen Grace, Elizabeth Day, Karleen Green, Anne-Marie Te Whiu, Salote Tawale. Image Jacquie Manning 2023.
Magnetic Topographies is a collaborative reading and field trip working group. Facilitated in collaboration with artists Therese Keogh and Kenzee Patterson, Magnetic Topographies brings together people and practitioners with diverse areas of interest and from varying fields, with an underlying focus on collective spatial practice.
SITE-SPECIFIC VISUAL ART AND WALKING: A Week on the River at Bankstown Arts Centre. This exhibition reflects on a much loved and complex waterway where, no matter what else is happening, every day, the tide comes in and goes out. A Week on the River includes invited collaborators Aunty Rhonda Dixon- Grovenor, Astrida Neimanis and "The Mullets”
CO-CREATOR PERFORMANCE: Politely SavageMy Darling Patricia. Politely Savage was initially presented at PACT Youth Theatre in April 2005. Then it’s been performed at The Performance Space, the Victorian Arts Centre, presented by Tilt for Melbourne Fringe Festival, and at the Adelaide Fringe Festival presented by Vitalstatistix. Best Independent Production, Sydney Theatre Critics Award, 2006. Outstanding Production, Melbourne Fringe Festival Awards, 2006. Best Design, Melbourne Fringe Festival Awards, 2006. Best Theatre Show Adelaide Fringe Festival, 2007
SITE-SPECIFIC VISUAL ART AND WALKING: A River Ends as the Ocean: walk the tide out with Aunty Rhonda Dixon-Grovenor and Astrida Neimanis part of the 13th Shanghai Biennale “Bodies of Water”. Phrase 2: an ecosystem of alliances, Power Station of Art
Astrida Neimanis and Clare Britton, The river ends as the ocean, 2020. Online performance lecture. Phase 1: *A* Wet-Run Rehearsal, 13th Shanghai Biennale, Shanghai Power Station of Art
River Dreams. Residency and overnight projections at Frontyard Projects, Marrickville, 2019. PhD Project Sydney College of the Arts, University of Sydney.
In development Aura Go with Tomoe Kawabata, One Space One Developed through the Musica Viva FutureMakers Program with support from Monash Academy of Performing Arts.
CO-CREATOR PERFORMANCE: Whelping Box with Matt Prest and Branch Nebula. Whelping Box premiered at Performance Space, Carraigeworks, Sydney 2012. Toured to Arts House, Melbourne, 2013 and received a 2013 Helpmann Award.
The Mullets- A community group based out of the River Canoe Club in Tempe
CO-CREATOR PERFORMANCE: Night GardenMy Darling Patricia. Developed in residence at Performance Space, Arts House, Hot House Theatre and Bundanon Artists Trust, Night Garden premiered in Sydney at Performance Space and in Melbourne at Arts House in 2009
SITE-SPECIFIC VISUAL ART: River Song at Delmar Gallery curated by Catherine Benz. Mervyn Bishop, Diego Bonetto, Clare Britton (including A River Ends as the Ocean with Aunty Rhonda Dixon-Grovenor and Astrida Neimanis), Vincent King, Dmitry Kunzinchenko, Asher Milgate, Jason Wing and historical archives and maps from Sydney Water/Water NSW, City of Canterbury Bankstown, Inner West Council, Adastra Aerial Surveys & Royal Botanic Gardens
PRODUCTION DESIGNER, SOUND, SITE SPECIFIC INSTALLATION: The Nightline. Roslyn Oades, Bob Scott and collaborators. Urban Theatre Projects, Right Here Right Now festival 2018, the Rising Festival, Melbourne 2021, Sydney Festival 2022, Adelaide Festival 2022
Graduation show A week on the Cooks River PhD Project at Sydney College of the Arts, University of Sydney
Work in progress- A week on the Cooks River PhD Project at Sydney College of the Arts, University of Sydney
PRODUCTION DESIGN FOR DANCE: MOUNTAIN Choreographer Kristina Chan. Commissioned by and premiere season at Campbelltown Arts Centre, 2018.
PRODUCTION DESIGN FOR DANCE: A Faint Existence, Choreographer Kristina Chan. Residency at Carriageworks, first season at Performance Space's Liveworks Festival 2016, Sydney Opera House, Unwrapped Festival, 2018. Dance Massive 2019, The development of A Faint Existence was supported by Carriageworks, Bundanon Artists Trust and Arts House.
SITE-SPECIFIC VISUAL ART RESEARCH AND DEVELOPMENT: Watermill ResidencyMatt Prest and Clare Britton. Watermill Centre, Watermill, NY 2016
Posts in the Paddock Moogahlin Performing Arts and My Darling Patricia. The development of Posts in the Paddock was supported by The Australia Council for the Arts, Arts NSW, Urban Theatre Projects, Casula Powerhouse, Bundanon Artists Trust, Moogahlin Performing Arts and Redfern Community Centre.
PRODUCTION DESIGN SITE SPECIFIC PERFORMANCE: Home Country Urban Theatre Projects, Sydney Festival 2017
Volta Joey Rugirok Van Der Werven and collaborators. Performance Space at Carriageworks, 2007.
PRODUCTION DESIGN FOR DANCE: Slow Dances for Fast Times choreographer Martin Del Amo. Carriageworks, 2013
Dear Pat My Darling Patricia. Commissioned by Performance Space for Live Bait Festival as part of The Box Set and performed again at Sydney Olympic Park, September 2004
Life Support Ash Dyer and Collaborators. Dance House 2013. Dance Massive Festival.
Mantle My Darling Patricia. Commissioned and presented by Campbelltown Arts Centre. 2016
spaceman with Les and Matt Prest and collaborators
Film clip for I See You Tiger Via Tania and the Tomorrow Music Orchestra
Assembly Operation Speak Percussion. Arts House North Melbourne Town Hall 2017, Ozasia Festival, 2018
Hole in the Wall with Matt Prest and collaborators. Developed through the Australia Council’s OYEA initiative and premiered 2010 at Campbelltown Arts Centre, Performance Space, Carraigeworks and Next Wave Festival at Arts House. Awarded Best Production Design for a Hybrid Work at Melbourne’s Green Room Awards 2010.
The Piper My Darling Patricia. Carriageworks, Sydney Festival 2014. Development supported by Terrapin Puppet Theatre, Country Arts SA (Varcoe's Foundry Residency Program), Creative Practice Lab, School of the Arts and Media, UNSW, The University of Sydney – Department of Performance Studies, Shopfront, Arts Centre Melbourne, Malthouse Melbourne
Work in progress A Week on the Cooks River- River walks PhD Project at Sydney College of the Arts, University of Sydney
Champions, Martin Del Amo, Carrigeworks, Sydney Festival, 2017
