Wuhan Biennale 2024. Urban Fluidity: Wuhan Art Museum. The River Ends as the Ocean, Aunty Rhonda’s Walk and 20 Kilometers of Water, Aunty Rhonda Dixon-Grovenor, Astrida Neimanis and Clare Britton. October 2024 - May 2025
My First and Last Solo Show by Natalie Rose, co-commissioned by Campbelltown Arts Centre and produced by Performing Lines. Supported by Creative Australia, Create NSW, Shopfront Arts Co-op and UNSW’s Esme Timbery Creative Practice Lab.
Book of Hours Co-edited by Emily Floyd, Chloe Hooper and Nam Le, this book-as-object features contributions from writers Anna Krien, Sarah Holland-Batt, S Shakthidharan and Maria Tumarkin, alongside artists Khadim Ali, Vincent Namatjira OAM, Clare Britton, Hiromi Tango, Tjungkara Ken, Brook Andrew and Ramesh Mario Nithiyendran.
All That is Alive co-commissioned by UTS Gallery & Art Collection and La Trobe Art Institute. Artists: Tully Arnot, Saskia van Pagee Anderson, Kylie Banyard, Elisa Jane Carmichael, Sonja Carmichael, Madeleine Collie, Other Matter, Sarah Poulgrain, Mandy Quadrio, Keg de Souza, Magnetic Topographies, Ivey Wawn. Curators: Connie Anthes, Stella Rosa McDonald, Jacqui Shelton and Amelia Wallin.
The Fauvette Loureiro Memorial Scholarship Exhibition. 26 September – 2 November, 2024 Mid-Career/Established Finalists: Elizabeth Day, Andrew Hazewinkel, Anna John, Leigh Rigozzi, Tony Schwensen, MAGNETIC TOPOGRAPHIES (Therese Keogh, Clare Britton and Kenzee Patterson) .Emerging Finalists: Ciaran Begley, Szymon Dorabialski, Gillian Kayrooz, Charles Levi. Photo: Jessica Maurer
Head to Head. 2024- ongoing. Collaborative, Interdisciplinary, multi year walking study of Gamay/Botany Bay.
OVERNIGHT SCREENINGS The film Aunty Rhonda's Walk by Aunty Rhonda Dixon-Grovenor looped overnight with 20 Kilometres of Water by Clare Britton. From dusk on the 30th March (7pm ish) - dawn 31st March Tempe River Canoe Club, part of the Wurridjal Festival , 2024
PRODUCTION DESIGNER, SOUND, SITE SPECIFIC INSTALLATION: The Nightline. Roslyn Oades, Bob Scott and collaborators. Urban Theatre Projects, Right Here Right Now festival 2018, the Rising Festival, Melbourne 2021, Sydney Festival 2022, Adelaide Festival 2022
A River Ends as the Ocean with Aunty Rhonda Dixon-Grovenor and Astrida Neimanis part of the 13th Shanghai Biennale Bodies of Water. Phrase 3: an exhibition, Power Station of Art, Shanghai.
Topographies Exhibition at Sydney College of the Arts, 2024. Ben Denham, Vicky Browne (curator), Rachel Peachey & Paul Mosig, Magnetic Topographies & Friends, (Therese Keogh, Kenzee Patterson and Clare Britton in collaboration with Biljana Novakovic, Aunty Rhonda Dixon-Grovenor, Astrida Neimanis, and Betchouف Faid Mazin & Dana Marjan) Brendan Van Hek and Amanda Williams.
Polar Force. Speak Percussion and Philip Samartzis. Now or Never Festival, Melbourne 2023, Sydney Festival 2023, Noorderzon Festival, Groningen, Netherlands, 2019. Ruhrtriennale, Essen, Germany, 2019. CyberArts exhibition, The Prix Ars Electronica, Linz, Austria, 2019. Transart Festival, Bolzano, Italy, 2019. PICA, Perth, 2019. Victorian Arts Centre, Melbourne, 2018
A Faint Existence, Choreographer Kristina Chan. Residency at Carriageworks, first season at Performance Space's Liveworks Festival 2016, Sydney Opera House, Unwrapped Festival, 2018. Dance Massive 2019, The development of A Faint Existence was supported by Carriageworks, Bundanon Artists Trust and Arts House.
Posts in the Paddock Moogahlin Performing Arts and My Darling Patricia. The development of Posts in the Paddock was supported by The Australia Council for the Arts, Arts NSW, Urban Theatre Projects, Casula Powerhouse, Bundanon Artists Trust, Moogahlin Performing Arts and Redfern Community Centre.
K'AINGA CommonWealth - K’lub Measina – Night Dance of the Deities Kilia Pahulu, Salvador Brown, Saia Tu'itahi and Sela Vai; led by Latai Taumoepeau and Rosanna Raymond. Liveworks Festival, Performance Space, Carriageworks, 2023.
Essay "Walking Wolli Creek", Alexandra Crosby and Clare Britton, Sydney Review of Books, October 2022
RESEARCH AND DEVELOPMENT: Emily Parsons-Lord- We Drive So Fast it Feels Like Falling. Arts House Culture Lab Residency, 2022
BRIGHTNESS. InDance, Sydney Dance Company, 2024. Choreographer Kristina Chan. Developed at Critical Path, Mondrook Community Hall, Io Myers Studio at the Esme Timbery Creative Practice Lab (CPL) in the School of the Arts & Media at UNSW and Readymade Works. Funded by Australia Council for the Arts and Create NSW.
The Clothing Store Artist Studio Program. The 2023 Resident Artists: Eddie Abd, Shivanjani Lal, Clare Britton, Jason Phu, Daley Rangi, Jazz Money, Helen Grace, Elizabeth Day, Karleen Green, Anne-Marie Te Whiu, Salote Tawale. Image Jacquie Manning 2023.
Magnetic Topographies is a collaborative reading and field trip working group. Facilitated in collaboration with artists Therese Keogh and Kenzee Patterson, Magnetic Topographies brings together people and practitioners with diverse areas of interest and from varying fields, with an underlying focus on collective spatial practice.
SITE-SPECIFIC VISUAL ART AND WALKING: A Week on the River at Bankstown Arts Centre. This exhibition reflects on a much loved and complex waterway where, no matter what else is happening, every day, the tide comes in and goes out. A Week on the River includes invited collaborators Aunty Rhonda Dixon- Grovenor, Astrida Neimanis and "The Mullets”
CO-CREATOR PERFORMANCE: Politely SavageMy Darling Patricia. Politely Savage was initially presented at PACT Youth Theatre in April 2005. Then it’s been performed at The Performance Space, the Victorian Arts Centre, presented by Tilt for Melbourne Fringe Festival, and at the Adelaide Fringe Festival presented by Vitalstatistix. Best Independent Production, Sydney Theatre Critics Award, 2006. Outstanding Production, Melbourne Fringe Festival Awards, 2006. Best Design, Melbourne Fringe Festival Awards, 2006. Best Theatre Show Adelaide Fringe Festival, 2007
SITE-SPECIFIC VISUAL ART AND WALKING: A River Ends as the Ocean: walk the tide out with Aunty Rhonda Dixon-Grovenor and Astrida Neimanis part of the 13th Shanghai Biennale “Bodies of Water”. Phrase 2: an ecosystem of alliances, Power Station of Art
Astrida Neimanis and Clare Britton, The river ends as the ocean, 2020. Online performance lecture. Phase 1: *A* Wet-Run Rehearsal, 13th Shanghai Biennale, Shanghai Power Station of Art
River Dreams. Residency and overnight projections at Frontyard Projects, Marrickville, 2019. PhD Project Sydney College of the Arts, University of Sydney.
PROCESS, PHOTOS and more projects
A week on the Cooks River PhD Project at Sydney College of the Arts, University of Sydney